No more "chipmunks effect" when a record is sped up to match another track.īut DJ software goes far beyond the capabilities of traditional DJ rigs. Even better, the musician can now change loop playback speeds without distorting the pitch of the music. The software can easily sync the playback rate of two loops or sync the entire library to match the tempo of the current track. All of the music has been converted from vinyl records to MP3s. Virtual DJ software makes beat-matching obsolete. If one loop plays at 120bpm (beats per minute) and the other at 138bpm, then it's the DJ's job to slow down the second record by pitch-bending it by ear. The most prized skill of a vinyl DJ is the ability to beat match loops from two different records. In the next section, we'll look at the three main types of music mixing software. Each loop can be assigned to a key on the keyboard or a pad on the drum machine, allowing for quick switches between sounds during live performances. Musicians can also use controllers shaped like electronic keyboards or drum machines with touch-sensitive pads. DJs, for example, might use a control that looks like a traditional turntable deck with crossover switches, faders, volume knobs and even two control wheels that look like vinyl records. Music mixing software can be controlled directly from a computer with a standard mouse and keyboard, but most musicians prefer to use hardware controllers that mimic the look and feel of electronic instruments and control panels. DJ software, in particular, makes all of these tools available for live performances, where the musician plays off the energy of the crowd-using their reactions to choose the next loop and take the song in unexpected directions. The power of this software gives the musician unlimited creativity to slice, dice, rearrange and tweak sounds in unusually and satisfying ways.
The latest music mixing software includes tools that can take a loop and slice it into dozens of even smaller loops that can be reassembled, edited and combined to create a completely original sound. He can apply real-time effects that compress, bend and twist each loop so that no two performances sound the same. He can throw a Madonna vocal on top of African drums with a space-age synth backdrop. With music mixing software, for example, a DJ can build a live performance from the thousands of loops on his hard drive.
Loops can be combined, repeated, edited and distorted in an infinite variety of ways.
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This is because the emphasis on music mixing software is on loops, not full tracks. Music mixing software, on the other hand, allows for open-ended non-linear composition and greater freedom for improvisation.
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With a system like Pro Tools, a musician assembles tracks along a set timeline, laying down drums, bass lines, synthesizers and vocals and tweaking the finished product with a vast array of effects and editing tools. DAWs are mostly used as timeline-based editing machines for music composition. Music mixing software serves a different function than a digital audio workstation (DAW) like Pro Tools.
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